Eduardo Rivadavia (aka Ed Rivadavia) was born in São Paulo, Brazil, and by his late teens had already toured the world (and elsewhere), learning four languages on three continents. Having also accepted the holy gospel of rock & roll as his lord and savior, Eduardo became infatuated with the New Wave of British Heavy Metal and all things heavy, crude, and obnoxious while living in Milan, Italy, during the mid-1980s. At this time, he also made his journalistic debut as sole writer, editor, publisher, and, some would claim, reader of his high school's heavy metal fanzine, earning the scorn of jocks and nerds alike, but uniting the small hardcore music-loving contingent into a frenzied mob that spent countless hours exchanging tapes, talking shop, and getting beat up at concerts. Upon returning home to Brazil, Eduardo resumed a semi-normal existence, sporadically contributing music articles to local papers and magazines while earning his business degree. Finally, after years of obsessive musical fandom and at peace with his distinct lack of musical talent, Eduardo decided the time had come to infiltrate the music industry by the fire escape. He quit his boring corporate job, relocated to America, earned his master's degree while suffering the iniquities of interning for free (anything for rock & roll!), and eventually began working for various record labels, accumulating mountains of records and (seemingly) useless rock trivia in the process. This eventually led him back to writing, and he has regularly contributed articles to multiple websites since 1999, working with many different rock genres but specializing, as always, in his personal hobby: hard rock and heavy metal. To quote from the insightful 'This Is Spinal Tap': "People should be jealous of me...I'm jealous of me...." Eduardo currently resides in Austin, TX, with his wife, two daughters, and far more records, CDs and MP3s than he'll ever have time to listen to.
Eduardo Rivadavia
Why Guns N’ Roses’ ‘Live ?!*@ Like a Suicide’ Wasn’t Really Live
Even back then, there were clues that these early songs weren't recorded in concert.
45 Years Ago: Humble Pie Break Through on the Live ‘Performance Rockin’ the Fillmore’
The popularity and proliferation of live albums was a distinct phenomenon of '70s rock 'n' roll.
When ZZ Top Put It on Cruise Control for ‘Tejas’
They kept the pedal to the metal for most of the early '70s. Then came 'Tejas.'
How Kansas Rebuilt For a Surprise Comeback With ‘Power’
A new decade had humbled the group, which was now divided by both professional and personal differences.
Why Thin Lizzy Struggled Through the Misunderstood ‘Renegade’
Their most underrated album achieved the lowest chart position since 1975's pre-fame 'Fighting.'
How Motley Crue Kickstarted Hair Metal on ‘Too Fast for Love’
They had to will themselves toward success, because the alternative was self-destruction.
How Rush Looked Back at a Rise to Stardom on ‘Exit … Stage Left’
This live LP arrived on the heels of their best-selling and arguably definitive studio album, 'Moving Pictures.'
When Billy Idol Updated His Sound on ‘Whiplash Smile’
When this third album arrived, he ranked among the world's most successful and recognizable rock stars.
How Soundgarden’s ‘Badmotorfinger’ Finally Got Some Attention
Despite forming all the way back in 1984, they were the last of the so-called "big four" grunge bands to break.
How Pearl Jam Overcame Every Obstacle to Complete ‘Ten’
Their debut was an unqualified triumph, but it was spawned under modest expectations – and out of deep tragedy.
Van Halen Albums Ranked
See how we rank Van Halen's albums from weakest to strongest.
Why Ratt Reached a Crossroads With ‘Dancing Undercover’
They were facing the first signs that the band's pop-metal utopia would not, in fact, last forever.